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No hay artículos en el carroPreamplificador audiófilo de bulbos de vacío con tecnología de modelado de preamplificador e interfaz USB, preamplificación de alta gama para todas las fuentes de micrófono, instrumento y nivel de línea, diseñado específicamente para micrófonos de condensador de calidad de estudio, combina perfectamente con tu estudio, audio en vivo y grabación en disco duro, modelado de preamplificador ultra flexible que te permite optimizar tus grabaciones, elije entre 16 voces de preamplificador diseñadas para guitarras eléctricas y acústicas, teclados, bajos, batería, voces y mucho más, interfaz de audio/USB incorporada para conectarse directamente a tu computadora, software gratuito de grabación, edición y podcasting de audio más 150 plugins de instrumentos y efectos descargables de internet, potente salida de audífonos con control de nivel y selección de monitor directo, bulbo de vacío 12AX7 seleccionado a mano con tecnología UTC para una calidez excepcional y el menor ruido, garantiza una excelente transparencia de señal cuando se utiliza como caja directa de alta gama, sofisticado limitador de salida que evita que la señal de salida se recorte, filtro dedicado low-cut que elimina el ruido no deseado, alimentación phantom de +48V, switch de inversión de fase y pad de 20 dB para máxima flexibilidad, medidor de nivel LED de 8 segmentos de alta precisión, entradas y salidas balanceadas en conectores TRS y XLR, dimensiones: 62 x 135 x 132 mm, peso (sin adaptador de corriente): 0.7 kg.
Yu
Comentado en India el 16 de mayo de 2024
Captures clean and loud input signal.All Preamp modelling tech are useful.In this price range its a best to buy.
Riccardo G.
Comentado en Italia el 26 de marzo de 2020
Soddisfatto dell'acquisto, sia della qualità del prodotto sia la transazione, tutto molto professionale.
Rian Riot
Comentado en Canadá el 31 de enero de 2019
The first thing I did was read the manual three times.Also my prior audio engineering experience proves useful.The Mic500 is a superb pre-amp when used correctly for the intended use.Basically call this.. Not "jack of all trades" but a nice multi-tool.Here's my chain off of it to help explain some uses..Starts with my Jackson Dinky with powered EMG's (built in preamp on a switch) going from the "direct out" to my amp, which has extra ins/outs.Let's just say I use the amps internal overdrive.. SO.. I now run a line from the 500's "phones" out to my vintage style Reverb tank that has its own built in in/out preamp anyways, so none required! (Because the "USB side" of the 500's interface is in no way preamped!! Read the manual!!) Now when I activate the "monitor" switch that channel runs through the tank and out into my amps secondary- input. The 500's "output" dial essential turns into my reverb mix now and can have it slight and complimentary with my guitars clean/overdrive channel from the "direct out" so it can take lead, I do that by controlling the volume directly on my guitar's knob.During a solo I can pull the built in preamp and suddenly the tank is double preamped and gives off a really demonic verb behind an ultra powerful main channel, tight thanks to the tube. (However yes that's a fake light but don't worry, as you'll feel the tubes definitively working) By turning my guitar almost off and cranking the tanks gain I can play very ambient type cave sounds that are very unguitar sounding and achieve twangs and other effects by hitting the strings differently when dialed in appropriately.Its not am essential component in my very simple but effective effects chain.The option to have a USB audio interface is appreciated for working with drum tracks on the desktop mostly for when laying down into my separate multi tracker. PLEASE NOTE, there is no true ASIO driver for this, simply ASIO4all which you can basically use on anything. You will not achieve 2-4ms latency and their for is NOT appropriate for use as a digital instruments brain or for live effects processing. I'd suggest the higher end Zoom 3.0 interfaces if you're going cheap.. Sorry. Heh.Still, everything here has abuse and is made high quality.The limiter uses are more noticeable when setting peak levels and is appreciated. Not always needed but works.Get used to having the 20db button activated.That is MINUS 20bd when activated BTW.Do that so you can still boost the tube up properly.Also you probably should use the direct out for anything weak and digital unless you know what you're doing and utilizing the limiter. Or headphones.You can damage things.. YUP.Like your ears. Lol.So yea everyone, read those manuals.Don't use the mic in and hi-z at the same time.Have fun.Thanks behinger you guys are the beat on the street!Much love!
Customer
Comentado en los Estados Unidos el 18 de mayo de 2018
I wanted to share my thoughts on the MIC500USB.Reviewers before said it’s “useless” as a preamp for headphones.But I have to admit for my “basic needs” it is working fine.Prior I owned a Behringer UMC22 and a AT2035 MIC, which was fine.I got a deal on some Beyerdynamic DT990 and realized too late that they were 250Ohms.250Ohms are fine if you have the right equipment for it. Preamps USB powered only do not have enough juice for 250Ohms headphones, as I had to find out the hard way. With the UMC22 I had to crank the volume to 100% and still was barely hearing enough.I was skeptical while purchasing the MIC500USB if it would make a difference at all.However, I was surprised in a good way. The MIC500USB has more juice on the headphone output compared to the UMC22 and the MIC sounds much nicer as well.When I had to crank up the volume up to 100% earlier, now I can keep it comfortable around 30%.
ahmed a.
its a great product but i didn't work with sm7bwhen you put the gain on max you can hear the hissingi know the shure sm7b is a gain hungry mic but this didn't work well with i even tried chaining it with an interface no use
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